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I'm back, BABY!
5 years ago
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Words and Pix by Michael Rosenthal
Pages
what
Est. Feb. 2010. Photographs, discussions of photographs, endless dissection of photographs, politics, possibly endless dissection of politics, depression, zen, snow, all the good things in life. See labels.
New Book
Blurry Books (bookstore)
eeeeeeeeeeeeeemail
(spamm frussstration ensuuuuuuus):
"m""r"blurry-----------books ATratratratATAt
GOLLYgmail.com
(hyphens don't count, quotes don't count, rats and golly don't count)
Friendly Blogs
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The Bravest Apollo8 years ago
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Labels
2010
2012
a popsicle
art
beauty
Biden
censorship
charity
compassion
death
depression
Flava Flav
forgiveness
friends
government
happiness
health
history politics government
Joseph Stack
mary
movies
Obama
pix
pix 2005
pix 2010
politics
process
protest
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Sarah Schulman
snow
taxes
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The Four Burners
toothache
USA
Vernon Hunter
work
writing
Scratch Pad
Amulets essay. woofrtime. photo process. Gingrich (94?)- how to win but not how to govern. True of this crop? Mark Ames bullying. reverse bar-mitzvah. the conformist. children, nudes and trees. hobsbawm. janwillem van de Wetering: Bartenders busily pumped draft beer, creating immaculate white-cuffed glasses of golden fluid. [with golden sleeves]
germaine krull give it away no one knows her
my stuff common cause
load up photos with full permission to edit yourself
googledoc footnotes
and flash / vid
http://www.salon.com/news/politics/war_room/2010/05/06/bush_operatives_plotting_against_us/index.html
So I thought what the hell, watch it.
Right off the bat, this dub (or whatever they call it in cinema, I'm still fuzzy) from Criterion is in glorious sharp color, what I think of as real world color - not the corn syrup of the inspirational Hollywood film, but the clarity of the actual world when best offered and seen. First up is a color zipper sign in Paris, stark against the night.
Made by J.L.-G
I've been fuzzy in the head much of the last couple of weeks, recovering from - well, gross periodontal stuff. Not the ideal time for Jean-Luc Godard's Made in U.S.A to reach the top of my Netflix cue. But there it was last week, slouching against the player, daring me to be watched or returned.So I thought what the hell, watch it.
Right off the bat, this dub (or whatever they call it in cinema, I'm still fuzzy) from Criterion is in glorious sharp color, what I think of as real world color - not the corn syrup of the inspirational Hollywood film, but the clarity of the actual world when best offered and seen. First up is a color zipper sign in Paris, stark against the night.
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